Gladiator Deutsch Inhaltsverzeichnis
Gladiator ist ein mit fünf Oscars prämierter Monumentalfilm aus dem Jahr Er entstand Deutsche Fernsehproduktionen waren Held der Gladiatoren, Attila und Die Nibelungen; letztere brachte es zu hohen Einschaltquoten. Gladiator. Übersetzung Latein-Deutsch für gladiator im PONS Online-Wörterbuch nachschlagen! Gratis Vokabeltrainer, Verbtabellen, Aussprachefunktion. Übersetzung für 'gladiator' im kostenlosen Englisch-Deutsch Wörterbuch von LANGENSCHEIDT – mit Beispielen, Synonymen und Aussprache. Übersetzung für 'gladiator' im kostenlosen Latein-Deutsch Wörterbuch von LANGENSCHEIDT – mit Beispielen, Synonymen und Aussprache. fifty-one-d101.be | Übersetzungen für 'Gladiator' im Englisch-Deutsch-Wörterbuch, mit echten Sprachaufnahmen, Illustrationen, Beugungsformen.
fifty-one-d101.be | Übersetzungen für 'Gladiator' im Englisch-Deutsch-Wörterbuch, mit echten Sprachaufnahmen, Illustrationen, Beugungsformen. Gladiator ist ein mit fünf Oscars prämierter Monumentalfilm aus dem Jahr Er entstand Deutsche Fernsehproduktionen waren Held der Gladiatoren, Attila und Die Nibelungen; letztere brachte es zu hohen Einschaltquoten. Gladiator. Übersetzung für 'gladiator' im kostenlosen Latein-Deutsch Wörterbuch von LANGENSCHEIDT – mit Beispielen, Synonymen und Aussprache. Stirrups were only employed in filming for safety reasons because of the additional training and skill required to ride with a Roman saddle. While some of the CGI is hardly "Grade A" stuff, and there's a little over - mugging acting in support ranks as some of the cast struggle to grasp the period setting Gladiator Deutsch, yet the way Gladiator can make the emotionally committed Beste Spielothek in Meerholz finden, actually overrides film making irks. Retrieved June 12, Backing Crowe up is Joaquin Bayton giving Commodus preening villainy and Connie Nielsen graceful as Lucilla pitch Nielsen's turn here against Einfach Lotto Gutschein of Diane Kruger's in Troy Em 2020 Tips see the class difference for historical period playing. January 4, But unlike Braveheart, the ending to Bet 300 is a just a little embarrassing as it rips off both Braveheart and Titanic to far less Euro Fh Erfahrungsberichte. Film portal. Here are characters you actually care about and not simply placeholders to string up the plot in between action scenes.
While some of the CGI is hardly "Grade A" stuff, and there's a little over - mugging acting in support ranks as some of the cast struggle to grasp the period setting required, yet the way Gladiator can make the emotionally committed feel, actually overrides film making irks.
Crowe's Maximus is the man men want to be and the man women want to be with. As he runs through the gamut of life's pains and emotionally fortified trials and tribulations, we are with him every step of the way, urging him towards his day of revenge splattered destiny - with Crowe superb in every pained frame, winning the Academy Award for Best Actor that he should have won for The Insider the previous year.
Backing Crowe up is Joaquin Phoenix giving Commodus preening villainy and Connie Nielsen graceful as Lucilla pitch Nielsen's turn here against that of Diane Kruger's in Troy to see the class difference for historical period playing.
Oliver Reed, leaving the mortal coil but leaving behind a spicy two fold performance as Proximo the Gladiator task master.
Olly superb in both body and CGI soul. Richard Harris tugging the heart strings, Derek Jacobi classy, David Hemmings also, while Djimon Hounso gives Juba - Maximus right hand man and confidante - a level of character gravitas that's inspiring.
I didn't know man could build such things. Dialogue is literate and poetic, resplendent with iconic speeches. Action is never far away, but never at the expense of wrought human characterisations.
The flaming arrows and blood letting of the Germania conflict kicks things off with pulse raising clarity, and Scott and his team never sag from this standard.
The gladiator arena fights are edge of the seat inducing, the recreation for the Battle of Carthage a stunning piece of action sequence construction.
And then the finale, the culmination of two men's destinies, no soft soaping from Scott and Crowe, it lands in the heart with a resounding thunderclap.
A great swords and sandals movie that tipped its helmet to past masters whilst simultaneously bringing the genre alive again.
Bravo Maximus Decimus Meridius. Click here to see if you qualify. Rage is a new component for Gladiators that isn't fully implemented, but will be like an alternative use for some skills instead of SP.
Depending on the Class Rank, the maximum limit to Rage will be increased. It's first earned at Lvl 10 BS Lv 2 with a limit of 1.
It's gained from successful hits from skills and is lost at a rate of 1 every 5 seconds. If not in combat 5 seconds after combat if no further attacks are made , it will start reducing at 1 every 2 seconds.
The amount of rage used for the attacks, buffs or healing will influence how much it effects the skill. This should be displayed in the tooltips.
Made the playstyle section more descriptive, and improved the gearing section by providing more detailed recommendations. View all.
I love duelist builds, but I had a question. On the passive tree you have Aspect of the Panther over in the ranger section , which is for dual wield.
Edited by Jason on July 21st, Edited by Navel on July 21st, Pretty much any decent Physical rare or unique can be used prior to it, you will not have any problems progressing through the levelling content since Blade Flurry has great single target and decent clearing any ways.
How does damage on full life work with blood rage? I know it stops buffing you but is it still beneficial or are you supposed to wait to cast blood rage until you get hit or is something like maim a better option while using blood rage?
I much prefer leap slam as a mobility skill especially on lab and boss fights, is there any downside to this or is shield charge just a personal preference to you?
Hey, Leap Slam is an amazing skill and you can definitely use it as a main mobility skill. It is definitely up to personal preference and you should use whatever you like better.
Firstly I want to say, great work with all the build guides. Thanks for that. I always follow your guides when making a new character.
I like the whole block idea behind this build, but also want a durable character, so is there a way I can change this into a poison build?
Without loosing the main skill? Thanks in advance. Hey, thanks for the kind feedback. If you want to play a Poison build you are definitely better off playing an Assassin.
If you try to build a Poison Gladiator you will simply lose too much damage compared to the other class.
Maybe a stupid question, but I recently started playing PoE using your build. Hey, welcome to Path of Exile, we are here to help.
You should not worry about Int on the passive tree too much, you can acquire it on items such as Helmet, Rings and Amulet.
A simple Lapis Amulet will solve your issues early on. What do you recommend for amulet anointment? It seems that Bloodletting might be useful, or Rampart if using Fortify and you want to be more defensive.
Or Command of Steel for the bump in Block chance. Edited by Mr Humphries on January 24th, Hey, they are all great. Could you please explain which way should I go first on the skill tree?
Hey, simply pick up Damage or Life according to your needs while levelling. Build Summary The Blade Flurry Gladiator does not need any mandatory unique items, just recommended ones.
Passive Tree Here is the endgame passive skill tree which achieves solid balance between offence and defense. For more information, be sure to check out the passive skill tree page.
Our step-by-step leveling walkthrough , which allows even more experienced players to save time and speed through the leveling process.
Our guide to Unique Items for leveling , which helps you gear up your characters for the leveling process. Our beginner leveling guide , which answers many of the questions new players might have and will set you on the right path.
Leveling Trees Use this this build before transitioning into Critical Strikes. Useful Leveling Unique Items As you begin a new character, there are few unique items that can boost your power exponentially.Viele übersetzte Beispielsätze mit "gladiator" – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen. Gladiator - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung So schrieb das deutsche Kinoblatt Film Revue über Anthony Manns. Übersetzung im Kontext von „gladiator“ in Englisch-Deutsch von Reverso Context: Varro left this world a gladiator.
He is a real person with real problems, and there is an underlying sadness to his character that makes him so much more interesting than your typical stock villain.
As for Crowe, his performance is all about physical presence. Apart from a few big emotional scenes, Crowe's performance is one of quiet masculine stoicism.
He adds a remarkable gravitas to this character that all but makes the movie. You feel for him, you relate to him, you root for him, and you become inspired by him.
It is a perfect heroic performance. The character stuff in Gladiator really works. Coming from a genre that made do with archetypal characters doing obligatory British accents for years, it is nothing short of a revelation that Gladiator is such a fulfilling dramatic experience.
Here are characters you actually care about and not simply placeholders to string up the plot in between action scenes. When it comes to general filmmaking, Gladiator is rarely pedestrian and often astounding.
Apart from some strange quirks in the filmmaking like the seemingly digitized zooms or the moments when the frame rate seems to cause a weird flicker effect, Gladiator is a deep, rich, and meticulously detailed visual experience.
Hollywood production values don't get much higher than this. The technical departments are tops in terms of production design and costuming.
The movie looks expensive, but there is something else in Gladiator's visual style that keeps your eyes glued to the screen. The look of the film, with its mix of traditional, large- scale sets and CG enhancements, is almost dreamlike.
The environments of Ridley Scott's version of ancient Rome, including a painstakingly crafted digital recreation of the famous Colosseum, seem untethered to any kind of physical reality.
It's as if what Scott has created is an environment that reflects the feeling of Ancient Rome rather than the reality of it.
Just as with the deep characters and eloquent script, there's a modern feeling to Ridley Scott's filmmaking in Gladiator.
The reliance on CGI is sometimes overdone, but in conjunction with the costumes, sets, and impressively grandiose score from Hans Zimmer, it adds to the intoxicating atmosphere of Ridley Scott's world.
The main attraction of Gladiator is its scenes of gladiatorial combat, and on that front, Ridley Scott aptly gets the job done. There are a few moments when Scott falls back on to standard sword clashing and disorientating shaky cam, but for the most part, the action scenes are exciting, bloody, and imaginatively staged.
The best action scenes are the opening Barbarian battle and a fantastic fight scene between Maximus, a veteran gladiator, and a Colosseum full of bloodthirsty tigers.
In those scenes, Scott's emphasis on close-up, sweaty, brutal action is totally effective. I felt the cold of the forest mud, the heat of the flaming trees, the sharpness of the swords, and the dusty claustrophobia of the Arena.
The action of Gladiator is visceral and bloody, and there is plenty of it. Those hungry for bloodsport will find more than enough manly derring-do to satiate their red-blooded desire.
For all its dramatic depth, I can't say I came out of Gladiator heavily affected by feeling. This is still, at its core, a visceral experience, but the small character moments and the textured performances are miraculously riveting.
I was intrigued by every second of Gladiator. Ridley Scott's direction is superlative, especially in the third act, as the story, action, and emotions reach a fever pitch.
The last few scenes, including the climactic final showdown and the closing 'Elysium' scene, exhibit a crescendo of the kind of daring artistry that permeates the film's best sections.
Gladiator is a meaty Hollywood epic of the best kind. It's visually sumptuous and supremely thrilling, but there is a beating heart within this beast.
Sure there are a couple of bumps along the way, but with Crowe as the sturdy hero and a simple story of returning home, Gladiator stays with you long after the credits roll.
The movie is the story of Maximus Crowe , a general who leads the Roman army to victory over Germania in the beginning of the movie. The dying emperor of Rome, Marcus Aurelius, is watching this battle.
The emperor's son, Commodus, then arrives with his sister Lucilla, and it is discovered that Commodus fully expects to be announced the new emperor of Rome in a few days.
Aurelius, however, has other plans--he wants to make Maximus emperor, and requests that of the general, who wants nothing more than to go home to his family.
I went into this movie having just watched Ben-Hur in my film studies class and having watched an episode of Xena only a couple of weeks earlier that featured the story of Marc Anthony and Cleopatra.
So you could say I was in the perfect mindset to watch a "sword-and-sandal" movie. I wasn't sure what to expect, having somehow avoided all the hype that accompanied this movie.
But I was not disappointed. Gladiator features some wonderful cinematography by John Mathieson. The battle scenes are very graphic.
This movie is not for the squeamish, that's for sure. There were some scenes in particular that really struck me, such as when Crowe appears to be floating over the ground very fast.
The use of color and color tones added a great deal to the mood of the movie. The script was being written and re-written as the filming was going on, yet it doesn't show that the actors had no idea how the movie was going to end when they began filming.
The acting is terrific. Russell Crowe is wonderfully cast as Maximus. Many reviewers agree that he is now officially a star. Joaquin Phoenix also proves his mettle as the emotionally troubled Commodus, whose behavior and emotion toward his sister could give anyone the creeps.
Connie Nielsen makes you believe that, as Lucilla, she really is torn between natural loyalty to her brother and doing what she knows is right.
Oliver Reed, in his last performance, is memorable in his role of Proximo, the former gladiator who is the owner of Maximus and brings him to Rome.
In short, the actors were brilliant in their roles, not over-acting, but giving subtle, strong performances. The script itself is very good.
Although some elements are a little hard to believe--the fact that no one recognizes Maximus when he's a slave? It's really no fun to nitpick such a movie.
It's true that this movie does pretty much follow the Braveheart formula. However, this movie includes some elements, such as the cinematography and the incredibly graphic battle scenes one reviewer likened it to Saving Private Ryan, "only better" , that are spectacular in itself.
Overall, a great movie that I highly recommend. Cecil B DeMille eat your heart out paulyb 2 May Once a great roman General, and as good as adopted son of Marcus Aurelius Caesar Harris , Maximus Crowe is forced into exile by Commodus Phoenix , heir to the throne, after the death of Marcus.
Saved from death by slavers, he is purchased for use as a gladiator by Proximo Reed and ends up in the arena of all arena's, the Colloseum, where he proves unbeatable under his guise as "The Spaniard".
GLADIATOR transcends the notion of 'blockbuster' that we have become accustomed to in the age of electronic and special effects wizardry and instead offers a good old fashioned action film along the lines of Spartacus and and Ben Hur.
Not only are we drawn into an archetypal story that contains all the classic elements a filmgoer could dream of love, loss, courage, despair, good triumphing over evil etc etc - also on offer is a visual feast of cinematic painting after painting - a rich tapestry of images that are breathtaking and ultimately visually satisfying.
From the plains of Germania, to the desert stronghold of Zuchobar, and finally to great Rome herself, John Mathiesion, the cinematographer is to be commended highly for his general inventiveness and ability to capture so much on film.
The opening battle scene is superb as a cast of thousands erupt across the screen and provide an indication that we are about to see a film that pays incredible attention to detail throughout its entirety.
In every way, Scott has created a world for us that scuttles films of similar epic undertakings and budgets! The cast is generally very strong.
Crowe proves himself very suitable to the task with a great emotional range and depth of character. His accent ocassionally bugged me as did the mish mash of accents on offer - but that is I guess a legacy of 'internationally casted films' , but this aside, he was well and truly up to the task.
Phoenix is also excellent as the disturbed Commodus, as is Nielson as Lucilla, the daughter of Marcus who "should have been a son" and finds herself torn between loyalty to her brother and doing what is 'right'.
The old guard thesps of Harris, Reed and Jacobi Grachus are uniformly strong as supporting characters, and Spencer Treat Clark Lucius does a fine job as the young heir to the throne.
Add to this great cast excellent editing and post production work, and an intricate soundscape including a magnificent Hans Zimmer score , and you have a film that, despite its length, was highly palatable and had me in there from beginning to end.
A must see. This is wonderful storytelling. The opening Battle Scene simply mesmerizes, showing the brutal nature of combat for Roman conquests.
I went back to see the film again. The first time I didn't hear anything Crowe said before the battle. I was just too visually caught-up.
The second time I listened very closely and caught the wise yet succinct line from Maximus "what we do in life A simple man v. I just loved the resilience Maximus showed throughout the movie.
I find in most movies, there is an irritatingly slow process where the character has to "find himself," not so with Gladiator.
Maximus does what is needed. I liked how there were only two or three issues within this film.
One was the afterlife. Aspects of the afterlife are opened, but not overdone. Love of family is given sizable focus. I liked the theme of love of country that we see as well, although it may not be justly deserved, it is never questioned.
The visual effects were amazing. It actually had me wanting to believe that's the way Rome actually looked in all it's glory. The battle of Carthage reenactment was really great.
The ending is just hypnotic. Intentionally or unintentionally it was simply emotional. The music is wonderfully beautiful as if Maximus' family are telling him Bottom line: magnificent.
Visually and emotionally satisfying. One of the Greatest Movies Ever copperccso 7 September I love history, and to me, Gladiator is a masterpiece.
It is the most accurate picture of the Roman Empire Hollywood has ever put out. People declare Spartacus a masterpiece, but Gladiator far outdoes Spartacus in quality.
The costuming, the acting, the screenplay, the scenery, and the fighting styles made me think that I had traveled back to A. Russell Crowe is a true Hollywood tough guy, and he is superb in this movie.
Joaquin Phoenix is outstanding as a villain, one of the best in movie history. He played his character as if it were a psychologist's dream case.
Connie Nielsen plays one of the strongest female characters that I have ever seen. The choreographer of the action sequences was brilliant.
Ridley Scott did an outstanding job in recreating the Empire, including the multitude of ethnic groups within the Empire and accurately depicting everyday life.
If you're looking for insight into what the Roman Empire was like, this is a perfect depiction. BenNicholson 8 November A thrilling tale of a Roman general who must battle against all thinkable odds to avenge the death of his family and restore justice to the empire.
The plot is simple, legendary general Maximus Decimus Meridius, after many victorious campaigns and battles wants to return to his peaceful home in Spain, However the kind, fair and dying Emperor Marcus Aurelius wishes to bestow his title on him over his cruel son, Commodus.
Commodus is understandably annoyed and kills his father calming the title of Emperor. Maximus is sentenced to death along with the rest of his family back at his home in Spain.
Maximus escapes but is unable to save his wife and son. His loss of will to live makes him an east target for slavers and he is soon sold as a gladiator.
He fights his way into the coliseum in Rome were he wins over the crowd and uses his celebrity status to defy the Emperor, to whom he swears his vengeance for the death of his family, after many battles and political backstabbing he gets his chance to fight the Emperor in the Arena.
This is just such an amazing film, it captures every emotion possible in only the way an expert director can achieve, we can go on for whole scenes without the need for speaking, everything is told through the genuine body language and expressions.
The opening scene is spellbinding, showing the true gore of battle, the fight scenes are marvellously realistic, discarding the popular "pretty" sword fighting for brutal aggressive force.
The audience in the arena express every emotion, surprise, anger, and enjoyment. The cast is brilliantly chosen; we can really see Russell Crowe as a gladiator, in Commodus, Joaquin Phoenix gives us a man we can really hate, Connie Nielson shows real emotion and passion in the role of Lucilla.
So apart from the spellbinding acting, scarily realistic fight scenes and the amazing script, what else can we look for? The music is just stunning, its exactly what we need brought in at exactly the right time, truly wonderful directing.
And then we have the stunning special effects, we can really visualise the greatness that is Rome, the fight scenes really make you believe.
Some critics have condemned the lack of historical fact, for instance an emperor would never fight a gladiator, and these comments cannot be denied, its true.
But I think we can forgive them that one fault for such an amazing movie. Special effects and powerful acting make Gladiator an epic.
I borrowed this movie on DVD, but I wish I had seen it in the theater for it would have been a lot more fun and powerful there.
Despite this, Gladiator is one of the most powerful and moving films I've ever seen. The plot goes so smooth together, as well as the acting and the terrific musical score.
Director Ridley Scott puts all effort into making this film an epic, and he does just that. I'd have to say that anyone who likes Ridley Scott I sure do should see this.
It is a lot like Ridley's other movies Black Hawk Down was also amazing. If you can stand a little bit--well, ok a LOT of blood and gore, then you should see this.
Russell Crowe shows an excellent performance like no other. I don't think there's one bad movie that Ridley Scott has made or that Russell Crowe has acted in.
The fact that the brutal battles involving innocent slaves in this film actually happened in real life centuries ago makes it even more interesting and powerful.
Emperor Commodus is a truely evil and life-like villian who shows a lot of his wits in attempts to get his revenge against Maximus. Ridley Scott went to many different locations to shoot this film to make it real, and he does.
The film is set in Rome, and it looks just like it. You feel as if you are there in the crowd, hearing them cheer and cheer to see the death.
To some of you, this may sound a little barbaric, and believe me the film is VERY barbaric and brutual, however it teaches a very strong lesson of what happens when an economy turns as violent as Rome was.
Ridley Scott goes to many lengths to make this movie real, because even though the characters are fictitious, all of this really did happen.
Innocent people had to go through brutual fighting while thousands of people cheered for either their death or the enemy's death. If you were an inexperienced fighter, chances are you would get killed.
People came from all over to see these fights and to see the blood that was shed, that is why you can't blame the characters in this film for being so forlorn and saddened the whole time.
The film itself is very dark. The theme is dark and the ending is dark. From beginning to end there is excessive violence for those action movie-goers, this is a movie for you.
But if the violence is concerning you, don't let it. The special effects make the movie great, but it's the acting and storyline that make it spectacular.
Definitely makes you think. An intense Roman epic, a la "Ben-Hur" or "Spartacus," it was nice to see something like this made again.
It had been since the s that we had seen a 3-hour extravaganza like this. Like Ben-Hur, this is a story of a successful man who loses everything thanks to an evil man, and then has to fight his way back up to seek revenge on that man and to obtain his freedom back.
It's a tried-and-true formula. This movie doesn't go to excess on the violence as some of the other more recent epic films did, such as "Braveheart" or "The Patriot.
Joaquin Phoenix also put himself "on the map" as an actor with his portrayal of the evil "Commodus. Kudos to the rest of the cast, too.
Too bad they don't make more of these type of films, as they did in the s and s. Maximus whose motto is 'Strength and Honor' is like a son to Aurelius, a statement that left Aurelius' own son, Commodus perturbed Disappointed by the news that his father privately decides to name Maximus his successor, and being a young ambitious son lusting for power, he murders his father, and orders a strike against the general Let us pretend that you are a loving daughter and I'm a good father.
Through its beautiful music, through Russell's performance and through Ridley's soulfulness, "Gladiator" brought a poetic vision in a new and very cinematically richly way that really gave the audience something different, so emotional and so intimate.
Is Crowe the 'next action hero? Germania, AD, the setting of Gladiator's opening scene. Far from the blazing sun and dazzlingly beauty of ancient Rome, Ridley Scott shoots the opening sequence in a subdued light.
The Roman legions are nonetheless impeccably turned out as they face the comparatively disorganised rabble that inhabits this miserable environment.
Caesar's soldiers seem somewhat misplaced here. However, Russell Crowe is at home in this environment of knee-deep mud and merciless snow.
All does not run smoothly however as mislead heir to the throne Commodus Phoenix takes over Rome with ill-gotten domination, having dispatched his own Father.
Maximus is cast out to find his family murdered and his Spanish farm burnt to the ground. Taken in as a slave by Proximo Reed , Maximus becomes a Gladiator and starts his journey to the Coliseum and revenge against Commodus.
Scott's cast is powerful and he is not left wanting as powerful performances are delivered by all. Due to his untimely mid-production death, Oliver Reed is created in some scenes by the grace of computer graphics, which are as convincing as they come; sometimes making it difficult to differentiate between Reed himself and his computerised counterpart.
It is, however, the supporting actors who create many of Gladiator's best dialogue-based scenes. As a vehicle for the plot, Scott's beautifully created and highly symbolic there is an image of fire in nearly every shot of the film dialogue scenes are of a certain merit with digitally created backgrounds that encompass the meticulous nature of the Roman Empire.
However, dialogue alone does not an epic movie make, and it is in the film's spectacular action sequences that Gladiator come into its own.
Shot on location in Malta, Scott's first arena was built by an army of locals and commanded some extras a large majority of whom were of a cardboard variety.
All of this pales in comparison as we arrive in a digitally created Rome which makes some scenes in Ben Hur some somewhat small scale.
The Coliseum is immense, both inside and out, and the computerised provides the electric atmosphere in which Crowe and his feline companions four sizeable, and real, Bengal tigers perform.
The battle sequences are perfectly choreographed and shot as iconic masks and typically Roman chariots are abundant in their power and imagery.
As swords clash and heads roll, Ridley Scott is triumphant in the application of special effects technology and his directorial prowess.
Always one to embrace technology, Scott's views over Rome's landscape are reminiscent of the beautifully created cityscape of Blade Runner. This is a film that fears so little and boasts so much, even a lady archer being sliced clean in half by a spiked chariot wheel!
All those involved with Gladiator should be delighted and confident with their creation, for indeed this is a convincing and enthralling display with epic proportions to take the wind from James Cameron's titanic sails.
This movie is awesome! I think it's great to be in one of IMDb's top best movies, because it deserves it. Every time I watch 'Gladiator'I stay touched by the story and I never get bored of it.
It's one of the most excellent movies already made in the movie's history! Russel Crowe is terrific in the role of Maximus and so is Joaquim phoenix great as commodus.
For people who enjoys history,specially ancient history,is a chance to see how was Rome many centuries ago, and also know better about the gladiators, the Colosseum and how some things worked in that time.
I will not write about the plot here, because many people already did this; I will only say for people that never watched this movie, that it deserves to be watched and, if you have some money, buy the DVD!
If only Peter Jackson hadn't come along and done a rather good trilogy of films, we might possibly be talking about the greatest film of the 21st Century so far.
Its sweeping but simplistic heroic tale, crunching fight scenes, award-winning special effects, towering acting and soaring score set this film apart from all the pretenders that followed it.
Ridley Scott single-handedly re-invented the epic genre with this story of a Roman solider who is betrayed, loses everything and is sold into slavery, only to fight his way back as a gladiator, all the while driven by vengeance for his murdered family.
Russell Crowe gives quite simply the performance of a lifetime as the Gladiator Maximus, one that deservedly won him Best Actor at the Academy Awards although his performance in the following year's Beautiful Mind was arguably even better, even if it didn't win him his second consecutive Oscar , and provided a thinking woman's alternative to the likes of Pitt, Cruise and Clooney to swoon over.
His gravely voice and impressive physique combine to give him a huge presence, which literally fills the screen.
His dialogue is sparing, but his actions speak far louder, adding a stoic sadness to his vengeance-driven heroic character.
Joaquin Phoenix is fantastic as the scheming and corrupt Emperor Commodus who betrays Maximus and has his family killed. He manages to be delightfully and totally evil without ever descending into the realms of pantomime villain, which is a tricky line to walk, and manages to avoid being overshadowed by Crowe's monumental performance.
The fight scenes are rousing and superbly choreographed, in particular a scene where Maximus marshals his fellow slaves into an army against marauding chariot archers in the Colosseum.
But here it is, in full; 'My name is Maximus Decimus Meridius. Commander of the Armies of the North, General of the Felix Legions, loyal servant to the true Emperor Marcus Aurelius; Father to a murdered son, husband to a murdered wife, and I will have my vengeance, in this life or the next.
The action is set to some truly beautiful music, and it is shameful Hans Zimmer missed out on the Oscar for Best Score.
Ridley Scott was similarly unlucky in the Director category. The film is however tinged with sadness, as it proved to be the final but triumphant swansong for the careers of Oliver Reed and Richard Harris, both of whom died shortly after making this film.
Neither could have delivered much finer performances, and if any performance had to be a final one, both delivered one worthy of such a status here.
Reed in particular is a revelation, reminding older generations and showing a new generation of his considerable talent. An inspiring film, rousing, exhilarating, exciting and moving.
Superbly acted, directed, scored and visualised. A tribute to how great films could be once, and could be again. The beginning of "Gladiator" is powerful.
This essentially means in a build like this the clear speed is almost the same as Reave , but the single target is way better. For the build, we choose to play with a one-handed sword since this allows to build around critical strikes.
Swords have the best passive nodes on the passive skill tree when it comes to efficiency with one-handed Critical-based builds. The Blade Flurry Gladiator does not need any mandatory unique items, just recommended ones.
It can be played as a league-starter. When it comes to mapping you can gear very easily for the beginning of it. A simple Scaeva can carry you until red maps.
After that you should spend some currency on a well rolled rapier that has decent pDPS, attack speed and critical chance. The build scales well with gear and you can feel the progress.
Offensively, use Shield Charge to move around. Briefly channelling with Blade Flurry will be enough to explode the whole monster pack via Gratuitous Violence.
For single target your extreme survivability will let you stand still and obliterate bosses by keeping high stacks of Blade Flurry.
Blood Rage should be used for additional Frenzy charges and attack speed since you will have enough life regeneration and leech to mitigate its downside.
Dread Banner should be used for additional damage. Block is a defensive mechanic that is very underused considering its power.
A good amount of Armour and Evasion Rating is easily obtainable. The little damage you take will be easily leeched back. Blade Flurry has a decent area of effect, so you can keep your distance most of the time, you do not have to charge straight into packs of monsters.
For newer players, it is important to note that there are many effects in Path of Exile that cannot be blocked, like ground effects, Corrupted Blood, bleeds, etc.
Here is the endgame passive skill tree which achieves solid balance between offence and defense. As always, you have the freedom to drop few damage nodes to pick up more Life or vise versa.
Passive Tree Page. Our Ascendancy, Bandit, and Pantheon Power page goes into detail about all the choices you need to make in these regards. Ascendancy, Bandits, Pantheons Page.
Gem Link Page. These items provide a good balance between offense and defense and are enough to deal with the endgame, although there is definitely a room for improvement.
Please ensure you read the Gear, Jewels and Flasks page in its entirety. Gear Page. Leveling the build from scratch is easy. The clear speed will pick up when you manage to do the Cruel Labyrinth.
The build easily gets into maps. Use this this build before transitioning into Critical Strikes. While leveling, we recommend that you first pick pick all the Life and Damage nodes around the Marauder and Scion starting areas, and then go for the shield nodes.
As you begin a new character, there are few unique items that can boost your power exponentially. Tabula Rasa allows you to have a 6-Linked skill as early as you get the gems.
Wanderlust gives a decent movement speed, which will make your leveling that much more efficient.
Goldrim provides a lot of elemental resistances, this will let you worry less about gearing when approaching certain Act encounters.
If you are a new player or if this is your first character for the league , then note that obtaining these items will be very difficult, if not impossible.
They are extremely rare drops, which you can otherwise only acquire if you have vast amounts of currency, so do not focus on them too much, and instead simply look for items that match the affix priorities listed in the gearing section above.
Using Tabula Rasa will allow you to have 6-Link gem setups early on, which is why we show such examples below. If you cannot get Tabula Rasa or another item with a 6-Link , then simply prioritize the first gems in each link provided below.
In order to acquire gems that are not available to your class as a quest reward, simply ask a friend to buy them off vendors for you, or buy them yourself from Sioasa in The Library in Act III Library.
At level 10, you are able to add Shield Charge , which will help with your mobility. At level 12, you should replace your Frost Blades link with the following one.
At level 16, you should add Herald of Purity. By level 18, your Sunder link should look something like this:. At level 24, you should add Hatred.
Finally, at level 28, you can transition into Blade Flurry , your signature skill. We recommend the following link.
No, the physical explosions created from Gratuitous Violence will obliterate you on physical reflect maps.
The damage provided from Hatred will probably be enough to kill yourself on elemental reflect too. Except for the reflect maps, the build is very versatile and can do anything, as long as you are well geared and have damage and life.
The block mechanic is extremely strong and will save you in many lethal encounters. If the extremely tanky and safe melee build is your type of thing, this build should satisfy you.
The damage is also good enough for endgame encounters. Considering it can be started from scratch without any investments makes the build that much better and accessible.
Revisited and updated for Delirium 3. The build is still very strong and a good choice for those who like good balance between offense and defense.
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